A study of the age in which the artist lived—the spirit of the time and its current ideas, the complex influences that molded the artist, even the social, economic, and political conditions of the time and place in which he worked. Selection of most distinctive features or characteristics whether line, shape, color, texture, etc.
The 20th-century Russian composer Sergey Prokofiev intended his Classical Symphony to be a parody of the classical symphonies of Mozart and Haydn—and regardless of whether the suggestion that it be construed this way came from Prokofiev as it did or from someone else, if it is rewarding to listen to it in this way, then no one gains by refusing to accept the suggestion.
Description of how line describes shape and space volume ; distinguish between lines of objects and lines of composition, e. According to some writers, such as the Italian philosopher Benedetto Croce —the work of art exists only in the mind of the artist, and the physical artifact then counts as an effect of the work of art.
In three-dimensional art, such as sculpture and architecture, the entire object is present, but it is impossible even to see much less to look at all of it at once: Relationships between shapes, e. There can be different, competing, and contradictory interpretations of the same artwork.
The physical medium of literature, then, is either auditory or visual, although what is conveyed through the medium is not. For this reason, painting is not capable of telling a story in the way that a novel is, for a story is a series of temporally successive happenings.
The German aesthetician and Art interpretation and understanding Gotthold Lessing —81 made this distinction the basis of his study Laokooncontending that the function of visual art is to create beautiful objects and that the artist should select that stance or moment at which the person or object appears most beautiful, to enable the viewer to continue looking at it with pleasure; whereas literature, being temporal, is equipped to tell a story that includes many moments other than pleasing ones moreover, the scenes in literature are not seen with the eyes but only imagined.
It is interesting to study the evolution of the string quartet or symphony from its origin through Haydn to the present, but this would appear to be an evolution traceable entirely within the art form and not dependent on factors outside it. Knowledge of the entire corpus of his work in a certain genre may heighten enjoyment of a particular work.
Based on the criteria and evidence, what is my judgment about the quality of the artwork? If the artist has created other works, particularly in the same genreacquaintance with them may enhance appreciation of the work at hand. There is only the temporally successive series of sounds: Good interpretations of art tell more about the artwork than they tell about the critic.
Medium of work whether clay, stone, steel, paint, etc. Written for the general public, includes reviews of art exhibitions in galleries and museums. No single interpretation is exhaustive of the meaning of an artwork.
It exists only in the sense that it is reproducible from the written score. Verbal art The art of literature is clearly different from both visual and auditory art. Temporal arts must be attended to in a certain order: It is essential to be more specific, however, about the factors—other than careful and repeated perusal of the work of art itself—that the contextualist holds are either necessary or extremely helpful in the appreciation of works of art: The beach reader will probably not need to interpret what she or he reads, but the student will.
Aesthetic reading differs from efferent reading in that the former describes a reader coming to the text expecting to devote attention to the words themselves, to take pleasure in their sounds, images, connotations, etc.
Anthologists of literature constantly assume that this is an important consideration, since they supply detailed biographies prior to their selections by each author.
Discussion of how elements or structural system contribute to appearance of image or function e. Description of axis whether vertical, diagonal, horizontal, etc. Your perceptions of balance, proportion and scale relationships of each part of the composition to the whole and to each other part and your emotional j.
This, however, is not always so: Interpretations are persuasive arguments. The mediums of art In the context of every work of art there are three items to consider: In spatial arts, the entire work of art is present simultaneously; attention to the parts of it is successive—it is impossible to concentrate on the whole at once, at least on first viewing—but the entire object is nevertheless there, and it is up to the viewer which part he shall examine first.
Evaluation is not the concern of this article see aestheticsbut one problem about interpretation deserves to be mentioned. Analysis of use of light and role of color, e. In temporal arts, the parts do not appear together before the audience but appear successively in time, the second moment not beginning until the first one has finished.
While no such tones are being emitted, no sounds exist; only the musical score exists and the memories of listeners, some of whom might enable the score to be reproduced if it were lostfrom which music can be reproduced.
A study of relevant facts about the artistic medium, such as the instrumental limitations or advantages of pipe organs in the time of the German composer Johann Sebastian Bach — or the modes of presentation of ancient Greek tragedies in the Athenian theatre.
The third item includes all the effects of the work of art upon those who experience it, including both aesthetic and nonaesthetic reactions, the influence of the work of art upon the cultureon the state of knowledge, on current moralityand the like. Wolfgang Amadeus Mozart, oil on canvas by Barbara Krafft, No critic or art lover need hold to either position in its undiluted form: Scholarly art criticism Written for a more specialized art audience and appears in art journals.
Music and literature are both temporal arts, or arts of time.Understanding abstract art requires an inventiveness that invites you to discover for yourself the meaning behind the work.
It is not easy to grasp, like still lifes, portraits, or other form of representational art, because it is open to interpretation in a way that representational art is not. The interpretation of art. Works of art present problems of both interpretation and evaluation. An acquaintance with the artistic conventions and idioms in which the artist operated often leads to better understanding of certain aspects of his work and helps to avert misunderstandings of it.
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Presented in a /5(66). Understanding Client Imagery in Art Therapy Erica K.M. Curtis Loyola Marymount University, sessed that historically art interpretation has involved either mea-sured analysis (similar to decoding universal meaning mentioned ucation, and personal history influence the understanding of art.
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Share Flipboard Email and understanding of the visual elements and principles of art. This understanding gives the professional work greater complexity and a visible structure that is often perceivable by even the non-artist.
Interpretation: What is the artwork trying to.Download